Hannah Hickok was not having a good day.
It started when she left her small apartment in Roseville, Michigan. She didn’t live in the best neighborhood as it was — gang activity was creeping into the Detroit suburb, moving north, and it wasn’t out of the ordinary to hear a gunshot or two at night — but she wasn’t expecting a high-speed car chase to force her to hop into the gutter during her two-block walk to the bus stop.
The gutter, of course, was full of dirty water from the storms the night before. The drainage system was clearly blocked thanks to the discarded newspapers, fast food wrappers, syringes, condoms, and any other number of abandoned items that people were too lazy to see properly tucked away. Because of that, the one nice pair of dress shoes Hannah owned were soaking wet and had bits of things she kept telling herself couldn’t possibly be as bad as she was imagining clinging to them.
Another bout of rain the forecaster promised wasn’t coming hit when she was waiting for the bus. She didn’t have her umbrella — the forecaster swore up and down she wouldn’t need it, after all — so she was caught in the open when the sky opened up. Since her blond hair, which she thought of as her best attribute on a good day, curled in humidity and rain, she looked disheveled when she finally made her way to the law office where she worked in the Renaissance Center, which was located in downtown Detroit. It was actually half-curly and half-straight, which gave her a deranged sort of look.
She was still lamenting her bad luck when she crossed the threshold into the Renaissance Center — a building she used to love when she first started working inside of it, but now hated — and her security pass alerted. Confused, she knit her eyebrows and watched as the guard, Clyde, a man she’d known since her first day, placed a call to her boss. He looked grave as he listened and the smile he shot her was almost pitying as he handed back the pass.
“You can go up.” He patted her hand, which she should’ve caught on meant something bad was about to happen. She didn’t, though. She was too busy feeling sorry for herself.
“What was wrong?” Hannah asked as she shoved the identification card into her purse. “Did it get wet or something?”
“Probably. You should talk to Mr. Dawson about getting you a new one.”
To Hannah, that sounded like the worst possible idea in the world. Archibald Dawson was more than her boss. He was the man who was supposed to be her father-in-law. That was the plan anyway. He was a senior partner at the firm Dawson, Scruggs and Butler — one of the premier law firms in the state — and he had massive power. His son, Michael, was working his way up the ranks. He was also working his way through the paralegal pool ... and the temp pool ... and the cleaning staff as well, apparently. That’s the reason Hannah and Michael called off their engagement. She caught him cheating on her for the third time (although she suspected that number was much higher) and finally found the strength to kick him to the curb.
She had plans. She thought marrying into a rich family was simply the next step on the way to achieving those plans. It turned out she was wrong. Oh, so very wrong.
Archibald was waiting for her in his office — which was the same size as Hannah’s tiny studio apartment — and he looked busy as he flipped through a file. Hannah had never been comfortable around him. He was a hard man to like because he was curt, cold, and often clueless when it came to conducting conversations with individuals who couldn’t drop ten thousand dollars a day on random purses and watches. He was bad when it came to chatting with people outside of his financial window or the courtroom. That’s why Hannah was surprised he wanted to talk to her. He’d barely looked at her since she’d broken up with his son.
Uncomfortable, Hannah made a weak throat-clearing sound, causing Archibald to look up from the file he was reading and fix her with an unreadable expression.
“Ah, Hannah.” His smile was tightlipped and it made her nervous for some reason, although she couldn’t put her finger on why. “I’ve been waiting for you.”
On instinct, Hannah flicked her eyes to the clock on the wall and frowned. Despite her terrible morning, she was on time. She prided herself on punctuality. She always built twenty extra minutes into each day to make sure she made it to work on time. “Is something wrong?” she asked, licking her lips nervously.
“Something has come up,” he clarified, causing the sense of doom in Hannah’s stomach to spread. “Please shut the door and have a seat.”
That was the last thing Hannah wanted. She wasn’t in the mood for more upheaval. That’s how she ended up in the crappy apartment in Roseville in the first place. She decided to travel to Traverse City to surprise Michael when he was on a special trip and she was the one who was surprised when she let herself into his hotel room and found him naked and panting with a woman she didn’t recognize. Oddly enough, Michael looked more annoyed at the interruption than sorry ... and that’s what sealed it for her.
Michael hadn’t been faithful throughout the duration of their relationship. The first time she caught him cheating was when they first started at the law firm. They went to the same school together — Michigan State University (Archibald bled green and white so he insisted his son attend his alma mater) — and she’d been three-quarters of the way through a public relations degree when Michael declared his love and proposed.
In her head, Hannah knew it was a mistake to quit and follow her boyfriend. Her mother, who died when she was sixteen, would’ve been mortified to think of her only daughter tossing everything she worked so hard for out the window. Hannah thought she knew best, though. She thought she’d found her soulmate. Romance novels and Hallmark movies influenced her decision, and she dropped out.
She and Michael immediately moved in together, a ritzy townhouse in Birmingham, Michigan, serving as their home. Archibald paid for it, of course. Michael was fresh out of college so he didn’t have piles of disposable income like his father. Still, they had a private driver and groceries showed up in the refrigerator like clockwork. Because she didn’t want to sponge off Michael and his family, she went to work as an administrative assistant at the family law firm not long after leaving college.
The money was good. The hours were normal. The work was tedious, but she had no trouble wading through it. She thought things had lined up.
Then she caught Michael with one of the stenographers from the Macomb County Circuit Court. They were having a private lunch at the townhouse Hannah and Michael shared. She only discovered they were together thanks to a flu that had her going home sick early.
Michael apologized, claimed he thought it was allowed because they hadn’t discussed only dating each other, and feigned ignorance of societal norms. Since they were living together, Hannah was under the assumption that meant they were dedicated to one another. Apparently Michael had other ideas.
In hindsight, Hannah realized she should’ve run right there. She didn’t, though. She stayed. Then she caught Michael cheating again, this time with one of the interns working at his father’s law firm. His explanation after that “slip” was that he had a sex addiction. It was all the rage on television, what with Charlie Sheen and TigerWoods spouting off about it left and right. At the time, Hannah convinced herself it was a real thing and agreed to stick by Michael as he worked his way through rehab at a posh resort. It was wrong to abandon a loved one in need. At least that’s what she told herself.
The next few years, he was a good — if distracted and sometimes distant — fiancé. Hannah convinced herself that was normal because they’d been together so long. By now she was five years out of college. She was twenty-six, with no degree, but making a good living as an administrative assistant. They’d yet to set a date, though, or make any plans. She started pushing for it ... and that’s when she caught him with another junior lawyer at the firm.
Laura Madison was twenty-five, perky, and hungry to move up the corporate ladder. Hannah had seen the way she looked at Michael and forced herself to keep from dwelling on the possibility of Laura going after him. Michael had been good for years. Hannah was convinced of that ... kind of. Okay, she wasn’t really convinced of it. She told herself he wouldn’t dare cheat on her again. He was a good man. She wanted to believe that ... until the good man turned into a dog. This time when he was caught, all he did was shrug. He said she should get used to it because it wasn’t going to change.
That’s when she snapped. She lost her cool, threatened him with a pair of scissors, and then headed home. There, she proceeded to shred every expensive suit he owned with said scissors and threw them on the front lawn. She smashed his expensive cologne, stabbed the tires of his luxury sports car, and broke his beloved flat-screen television. She felt better afterward, calm.
And then the hammer dropped. Michael’s was the only name on the lease. She had to move. She looked unbalanced for the way she retaliated. He started rumors that she was crazy and people believed them because of the way she reacted to the betrayal. Everyone asked why she didn’t simply leave with a little dignity. She was so fed up by that point she wasn’t even sure she knew what dignity was. Still, she understood the whispers and did her best to ignore them.
That was three weeks ago, though. She moved quickly, found a terrible apartment she could afford, and tried to ignore the way everyone at the office looked at her … and whispered. She didn’t want to engage in gossip and figured the talk would die down after a few weeks.
Apparently she was wrong.
“Am I in trouble?” Hannah asked, chewing on her bottom lip as she nervously fidgeted in the chair Archibald indicated he wanted her to sit in. “I mean ... am I about to get yelled at?”
Archibald’s expression was bland. He was always hard to read, but today he looked especially taciturn. “Yelled at? No. I don’t think that’s necessary.”
That was an evasive answer, Hannah realized. She didn’t like it. “But I’m in trouble, right?”
“Trouble? I don’t know that I would use that word. It’s more that you’re in limbo.” Archibald leaned back in his chair and steepled his fingers on his stomach as he regarded the young woman. At only twenty-six, Hannah had her entire life ahead of her. She felt as if she was suddenly running out of time under his studied gaze, though.
“I’ve given your future with us a great deal of thought,” he started, causing Hannah’s mouth to go dry.
“Meaning ... what?”
“Meaning that I’ve always considered you a diligent, if uninspired, addition to our team,” Archibald replied pragmatically. “You’re one of those women who manages to get the job done even if it takes you six hours to do a task that should only take two.”
Hannah frowned. “I always do everything that’s put in front of me.”
“Of course you do. To be fair, though, you’ve always only done the bare minimum. You’ve never gone out of your way to seek out extra responsibility.”
Hannah could sense where the conversation was going ... and she didn’t like it. “I didn’t realize I was supposed to do that.”
“That’s another problem. You have no initiative.”
“Excuse me?” Despite the serious nature of the conversation — and Hannah had no doubt where it was ultimately going, the security card screw-up should’ve been a giveaway — her temper came out to play. “I don’t see why I have to sit here and be insulted. Your son is the one who should be in here.”
“My son is going to be a senior partner one day.”
“So ... he’s important to the future of this firm,” Archibald replied, not missing a beat. “That’s not a distinction you can lay claim to.”
Hannah understood without reservation what was about to happen. Honestly, she should’ve seen it coming. She knew that. However, it was too late to go back in time and shore up her job prospects. She simply had to stand strong and take it ... if she didn’t pass out from the lightheadedness threatening to overwhelm her.
“I take it I’m being fired,” she croaked out, wringing her hands.
“You’re being relocated,” he corrected. “We have a satellite office in Warren. That’s closer to your new home, I believe. You can either work there or take a severance package we’ve drawn up. It’s completely up to you.”
The old Hannah would’ve made the move to the crappy job in an effort to not make waves. The new Hannah was having none of that, though. Things might not have gone the way she predicted, but she had no intention of just taking the crap Archibald dished out.
“Let’s talk about the severance,” she suggested, taking control of the situation. “I’m guessing it’s not going to be acceptable. I bet we can get it there by the end of the day, though.”
Archibald arched an eyebrow. “Perhaps. I guess we’ll find out.”
IN THE END, HANNAH NEGOTIATEDsix months’ worth of severance and continued insurance. It wasn’t easy — Archibald dug his heels in on the dental and vision — but she ultimately got what she wanted when she reminded him that Michael would be free and clear once she was completely gone from the company.
“As long as I’m here, I’ll always be the woman you had to keep around because you were afraid I would sue — and with cause,” she reminded him. “Once I’m gone the whispers will turn to how well you treated me with the severance package. You won’t be the bad guys.”
Archibald’s lips slowly curved. “You’re much better at this than I’ve given you credit for,” he noted. “You should’ve shown similar initiative before it came to this. I might’ve found a reason to keep you.”
“You’re assuming I would’ve found a reason to be kept. I very much doubt there’s any scenario where that would’ve happened.”
In the end, Hannah was jobless but no longer tied to anything (or anyone) in the area. She had no family in Michigan — her older brother moved to New York after college to be near their father, who relocated after the death of his wife — and she had no idea what she wanted to do with the rest of her life. That’s what made the envelope she found in her mailbox all the more intriguing. It was from some place called Casper Creek, Kentucky.
“I’ve never heard of that,” Hannah muttered as she threw herself on the couch. It was something she picked up from the thrift store and it had a distinctive smell. Her black-lab-mix dog, Jinx, panted happily as he joined her. He didn’t seem bothered by the smell. Of course, he was so happy-go-lucky that almost nothing bothered him.
“Hi.” She smiled at the two-year-old bundle of energy. She and Michael adopted him together. Michael wanted to buy a purebred dog — something that could be shown off and serve as a conversation starter — but Hannah insisted on adopting an animal from a shelter. He was the one thing she took with her when she was forced from the townhouse, although Michael didn’t seem to mind that she took the dog with her when she left. “How was your day?”
Jinx merely tilted his head to the side and regarded her with soft eyes. He was happy to see her when she came home. That was his normal reaction. He didn’t seem to think she was uninspired.
“Should we look inside?” Hannah tore into the envelope and exhaled heavily. Now that the deed was done, she felt better. Of course, she still had to find a job. She’d also negotiated a job recommendation from Archibald and a promise that he and Michael wouldn’t badmouth her to prospective employers. Since Archibald wanted her to be nothing more than a bad memory, he readily agreed to those terms in an effort to make sure they both got what they wanted.
Hannah wasn’t sure what she expected to find in the envelope. She thought Casper Creek was probably some sort of spa resort that would want to tempt her with sugar rubs and mud baths. Those were the sort of things she could occasionally indulge in when dating Michael. She very much doubted they would be in her future moving forward. Instead of a brochure, though, she found a copy of a will ... and a whole new adventure she was never expecting.
“What the ... ?” Her misery from earlier in the day forgotten, Hannah leaned forward and peered at the documents she’d removed from the envelope.
Jinx might not have been able to read, but he recognized the change in her demeanor and gave her a sloppy kiss on the cheek as he expectantly waited for her to explain what she was looking at. There were times when Hannah was convinced that he knew exactly what she was feeling ... and saying. He was a goofy dog, but he was also intelligent. She never doubted that.
“According to this, I’ve inherited a town,” Hannah muttered. There was nobody to talk to besides Jinx, so that’s exactly what she did. “A town. It’s some sort of themed town.”
Jinx bopped his head, seemingly excited.
“It’s like a role-playing town. One of those cosplay towns. Everyone dresses up like gunfighters ... and saloon girls ... and rides horses and stuff.”
Jinx merely continued to stare.
“Someone left it to me. A grandmother ... although, I don’t really remember having a grandmother. Do you think I had a grandmother who was still alive after all?”
Jinx couldn’t answer that, so he didn’t.
“This has to be a mistake.” Hannah was certain of that. There was no way she could’ve inherited a town ... especially at a time when she had no job or prospects. That was simply too coincidental. “I’ll call the attorney listed on here and talk to him tomorrow. I’m certain it was a mistake.”
Turn away if you haven’t read Grim Vows.
So, the final book in the first reaper series is finished and you can see where it’s going.
I always knew exactly how the book would end (the epilogue). It’s been in my head for years. I didn’t always know I was going to do another series but I had so many ideas I couldn’t let it go.
So, what will happen in Izzy’s world?
Honestly, it’s going to be a lot of the same … only a little bit different.
When we open the next book, Aisling is very close to giving birth. In fact, she will give birth in Only the Lonely and you will be able to see it. Because I wanted to use grim reapers in Moonstone Bay, I sent Griffin and Aisling on their honeymoon there. I originally planned to debut Only the Lonely after that book but people were freaking out so much that I felt it was necessary to debut the book right away. So, you will go forward in time nine months for Only the Lonely and then back a bit for Freaky Deaky Tiki in January. It’s not the end of the world but I wanted to make you aware there’s a bit of fudging with the timeline.
Izzy spent some of her childhood in Detroit. Her parents handled the gate on Belle Isle (which is only twenty minutes from Grimlock Manor, so it’s a new location but you’re still hanging in the old locations). Her parents were killed following an “accident” at the gate. That is a mystery, much like Lily Grimlock’s true intentions, that will unfold over the course of the entire series.
There’s a handful of new characters. I didn’t want to go overboard because there are a lot of old characters who can serve the same function as new characters. Cormack will technically be Izzy’s boss, which means he’s around often. So are the others, although Braden gets the most screen time.
Why Braden? Because he was the most interesting. Redmod is a good guy but he doesn’t have the emotional issues Braden does. Plus, well, Braden and Aisling’s relationship isn’t done quite percolating yet. They are the most alike and they will interact in hilarious fashion once the baby arrives and Izzy and Aisling bond.
All the other characters will be there. The new interaction – Izzy is not their sister so they treat her differently – will allow you different insight into their character. Jerry will be there. Even Angelina shows up in the first book … as does Bub. Also, Izzy is tied to another character in the Grimlock world, although I’m going to save that reveal for the actual book (which is not far away).
The first Grimlock series was about the family you’re born into. The second will be more about the family you make. Izzy has a family, but only two people remain and they will play into the story going forward. She’s going to have a massive adopted family going forward … and getting used to them is not always going to be comfortable.
She’s feisty, but she’s “more” than the others. She doesn’t even know the strength of her powers yet. She’s not just reaper, which expands the world.
So, I think that’s it. It should be pretty straightforward going forward. You will get to see a lot of baby Lily and how the family reacts. Griffin will be involved because a police presence is always necessary. Jerry will be around because he’s too much fun to ignore.
Honestly, the first book has Izzy bonding with Aisling the most (although Braden is not far behind). That is by design going forward.
It’s a new series but it’s the same world. It’s simply growing bigger.
Thank you for reading.
I’ve had some questions about how I decide which crossovers to do.
I think a lot of people believe I do it just to do it, but a lot more energy goes into the decision than that.
Basically, crossovers happen when I need a specific type of character. If I already have that character in my library, why create a new one?
So, for example, I knew I wanted to tackle werewolves in my Charlie Rhodes series. I already had wolf shifters thanks to Aric and Sami from the Covenant series … and there was natural crossover ability between Zoe and Charlie because they’re both magical. So, it was pretty easy.
The same for my Moonstone Bay series. I knew I had a story where I wanted to deal with a reaper situation on the island. Hadley was going to have to interact with other reapers. I just happened to have a family of them … and guess what, two were about to go on their honeymoon. It was the perfect time, which is why Freaky Deaky Tiki in January will feature Hadley’s gang interacting with Aisling and Griffin. There might even be some group phone calls home so you get to see a few more reaper characters, even if it’s only brief interaction.
The upcoming Mystic Caravan crossover with the Wicked Witches of the Midwest is slightly different. Even though I didn’t feel our circus friends necessarily needed witches, I couldn’t get the idea of Nellie and Aunt Tillie hanging out together out of my head. It haunted and haunted me until the rest of the story started taking shape.
On the flip side, I know exactly the story I want to tell when the Covenant folks visit the Mystic Caravan Circus. I’ve known the basics of that story since I launched the series. I’m simply waiting for the right time in the narrative because Zoe’s interaction with Max and Kade will be an important stepping stone. It has to be tackled at the exact right time.
As for other crossovers, I have some ideas but they’re simply notions right now. Under my pen name, I plan to cross over as many characters as possible. There really is no order. It’s simply when the crossover can fit into the narrative without causing issues and I can wedge in the writing. That’s it.
I have a basic idea for a Mystic Caravan crossover with Moonstone Bay … and a potential visit to the island for Aric and Zoe (although that’s really just a few stray thoughts at this point). I keep notebooks all over my house, and when I have an idea, I jot them down and sort through them later. That means some crossover ideas are closer than others.
When are the next two? Ironically, they’re right on top of each other. Freaky Deaky Tiki (the reaper and Moonstone Bay crossover) hits in January 2019 and Freaky Witches (the Mystic Caravan and Wicked Witches of the Midwest crossover) hits in February 2019. As for after that, I can’t say.
I do believe Charlie Rhodes will eventually cross paths with some reapers … and very probably the circus. Will she go to Moonstone Bay? I don’t know. I’m constantly thinking and jotting down notes, so anything is possible.
What do you think? What crossover do you most want to see?
I get a lot of questions about why I end a series, or if I have a plan from the start.
The answer is: Sometimes.
Sometimes I do have a plan, like with Aisling Grimlock. I always knew how the series would end. That being said, I wasn’t quite sure how many books it would shake out to be and even after I realized when “the end” was coming, that allowed me to think outside the box and come up with the spinoff series, which will involve all the original players as they interact with a new heroine (more on that series later).
With Covenant College, I originally thought it was going to be eight books. I was going to do one book for each semester and that was it. I realized pretty quickly that it was too hard to find story for semesters and that’s when I switched over to covering one school year (like Harry Potter with a way more snark).
After I wrapped up the series, I thought that was it. Then I had ideas for the two trilogies. Even though the series was never a huge seller, I decided to do the two event series and I’m happy with how things wrapped up. I’ve gotten a few messages since asking if I plan to spin-off to Sami, but honestly, I don’t see that happening. The Covenant folks will appear in crossovers, but that’s it.
The other series are all open. That essentially means I will keep writing as long as:
1. I have stories I want to tell.
2. Fans are still enjoying the series.
3. Sales are holding steady.
While I would like to say money doesn’t play into it, that’s not true. If a series stops selling, then it will end. I try to pump up my series with advertising as much as I can, which is always helpful, but advertising is a double-edged sword. Finding effective advertising is difficult and then securing that advertising isn’t easy. That’s why authors are always so worried about reviews. We need a specific number and rating to secure advertising, and while readers might not consider three stars a negative review, advertisers do. In fact, anything less than four stars works against authors and it’s become a thing. Readers often think authors are always begging for reviews because of ego but it’s really for advertising purposes because it’s a competitive market out there.
So, how long will my current series last? Good question.
Charlie Rhodes and Moonstone Bay are new, so they’ll be around for years.
Reaction to the most recent Avery Shaw makes me believe that it’s best to start thinking about an exit strategy. So, that will probably mean three more books. I was hoping to figure out a way to keep adding to Avery Shaw for a long time (years and years), but I don’t know how feasible that is going to be. The thing with Avery is, though, she doesn’t need a “big” ending. That means I can essentially keep the series open and add books here and there without sticking to a fixed schedule. Nothing is decided yet, but I will be giving it a lot of thought going forward and readers should probably brace themselves that either the series will end or there will only be one entry a year going forward (after 2018, you will still get a second book this year).
For Wicked Witches of the Midwest, we’re looking at some changes there, too. I get a lot of grief for the fantasies (I mean … a lot) and while I enjoy them, a lot of people hate them. I will stick to the schedule and release a second fantasy this year but going forward, it’s likely there will only be one fantasy a year to go with the two mysteries.
As for my pen name, Rowan Gray is a set story and will be nine total books. There are two more books in the Maddie Graves series and then she will be in crossovers, but that’s it. Ivy and Harper are sticking around for a bit, but they won’t continue forever. I came up with the crossover concept to keep the characters alive even after a series ends, though, so those characters could carry on for a very long time. New series will be coming in whenever a series ends, though, which creates even more crossover opportunities.
In truth, I have a lot of series I want to write. You would be stunned if you saw my computer desktop. We’re talking completed covers and outlines, and a lot of excitement. Making decisions on when to end a series isn’t easy, but it’s also exciting because it means I can bring a new series into the mix. It’s exceedingly difficult to find the correct balance on this stuff, though. That’s why I basically look at sales, reviews and fan reaction when making the decisions.
So, that’s it. I will let you know when something is going to end, and I will never leave a series hanging without an ending. That’s not how I roll. I will always craft an exit for each series because I’ve been burned by series ending without notice and I hate that.
So, it’s not happening here.
Basically that’s it, though. I am always watching and considering the next move to make.
Thank you for reading.
There are some authors out there who struggle to come up with ideas. I know because I hang around with them on the internet (and in person sometimes). They’re always fascinated by me because I have so many ideas I will never be able to write them all.
I’m the person who can see a photo on a site like Shutterstock and have an entire series geared around it in about two hours. I’m not saying that to brag. It’s simply the way my mind works. I have too many ideas and not enough time to write them all.
In October, I went to a writing conference and hung around with some cool authors, most of whom I already knew from hanging around together on line. We got to talking one night around the tiki bar (I’m now obsessed with tiki bars and totally want to include them in every series I write) and started hatching a world. I don’t even think we realized we were hatching a world until we were already knee deep in rum runners and laughter.
Who are those authors? Annabel Chase and Leighann Dobbs. We spent a lot of time together and had a great time. In fact, if you ask people hanging around with us, some people will say that Annabel and I were laughing so hard we sounded like cackling witches. We all had a lot of ideas that started flying fast and furious … so many so that it became obvious we needed to work on a project together.
As we got to talking, one of the things we knew right away was that we needed a fourth writer. We wanted someone who wrote outstanding witch books – because it will be a witch shared world – and we all decided Gina LaManna fit right in with our plans. It wasn’t even a debate. We all agreed on her right out of the box. We reached out to her, she accepted, and now we have four witch writers building a world together.
It’s been a learning experience. Much like Avery Shaw, I worried I wouldn’t work well with others. Surprisingly, that part has gone well.
The benefit of a shared world is that we can create a special place (in this case it’s an island called Eternal Springs) and share overlapping characters. Basically, we each created our own witch, came up with a backstory, and then let our imaginations take hold. Another benefit of a shared world is that with all of us working in it, there will be four books quickly and yet we don’t have to take time away from our other series to explore the shared world. It’s basically the best of multiple worlds.
So, right now, the plan is to debut all four books in the Eternal Springs series in July. We’re steadily working on world building now. If people like them and they do well, we will continue the world. If they don’t do well, each book can stand on its own and serve as a complete story. Each author will mainly focus on her witch but we will include the other witches as side characters so there will be tons of overlap.
Right now, it’s an experiment, but it’s one we’re all looking forward to. I will keep you updated as we get firm publication dates and I hope everyone enjoys the ride … because we really are having a blast coming up with the world and I’m sure a lot of people think we sound like real witches when we’re talking with one another.
That might be part of the magic, which makes it even more fun.
NOTE: THIS IS THE FIRST CHAPTER OF MY NEW SERIES. IT HITS ON JANUARY 2ND (NO PREORDERS) AND WILL ALLOW FOR A LOT OF CROSSOVERS
“Welcome to Moonstone Bay. We have eight hotels, fifteen bars and hundreds of shopping destinations. Where can I take you?”
I arched an eyebrow as I stared at the man standing next to what could loosely be described as a taxicab. He was handsome – in a work out four hours a day, five days a week sort of way – and his brown hair was a tad unkempt. Given the cut of his cheekbones and broad shoulders, the messy hair made him all the more appealing. Sure, the Hawaiian shirt and chinos tempered his sex appeal, but not by much.
Unfortunately for him I wasn’t in the mood for hot guys and flirty banter. All I really wanted was a bottle of Pepto-Bismol and a cold cloth for my forehead. The choppy ride to Moonstone Bay – my new island home – on the world’s smallest and most turbulence-prone airplane ever designed had been nothing short of vomit inducing.
“I’m going to the Moonstone Bay Lighthouse.” I shifted my bag so it rested on my larger suitcase, which thankfully rolled on wheels. If I had to lift it I knew I’d throw up … or maybe pass out due to the heat and humidity. That wasn’t the way I wanted to say “hello” to my new home.
“Really?” An eyebrow winged up on the taxi driver’s handsome face. “You’re Hadley Hunter, huh?”
I wasn’t sure if I should be surprised or impressed. “Am I your only recent transplant?”
The man shrugged. “We’re a tourist destination. That means we see a lot of new faces. Very few of those faces are permanent.”
I spared a glance for the sunny sky, sandy beach and lush foliage that filled the area surrounding Moonstone Bay’s small airport. It wasn’t an airport like the one I’d left from in Detroit. That had been a metropolitan airport, packed with stores, restaurants and terminals. No, the Moonstone Bay airport had only one terminal and two stores. You were either coming to or going from Moonstone Bay. There were no connecting flights.
“I see.” I forced a smile as I tucked a strand of my long black hair behind my ear. I could already tell the humidity was going to be murder on my tresses. It would soon become wider than it was long if I didn’t get a hand on decent hair care products. I didn’t give that due thought before rushing headlong into lunacy and uprooting my entire life to move to a place I’d never heard of and surrounding myself with people I’d never met.
Maybe I should go back. No one wants to deal with permanent summer hair, right?
“You seem a bit overwhelmed.” The man smiled as he grabbed my suitcase and loaded it into the back of the cab. The vehicle in question was actually a small bus, one of those you see in movies from the sixties and think are cute on first inspection – until you’re forced to sit on cracked vinyl seats and realize the air conditioning no longer works.
“I’m not overwhelmed.” Even though the words came easily to my lips I didn’t believe them. I hoped the man would be a different story. I was determined to meet this new adventure with a bold heart and open mind. I’m naturally snarky and prone to bouts of rampant complaining, so I wasn’t sure that was possible. I was going to give it my best shot, though. “I’m simply a bit sick to my stomach.”
“Ah.” The man nodded, recognition dawning. “You were on the morning flight, which means you were on the smallest plane that stops here. If I remember correctly, that plane makes the ride a bit … rocky.”
That was putting it mildly. “I think I’ll take the ferry next time.”
“If you have a weak stomach, that won’t help. The waters are choppy when you come in through the bay.”
“Well, great.” I meant the exact opposite. I’m the only person I know who’d pick a new home that promised continuous vomiting whenever I traveled to and from it. That was so … me.
“Yeah, you’re overwhelmed.” The man grinned as he extended his hand. “I’m Booker, by the way.”
I slowly accepted his hand. “Booker? Is that a first or last name?”
Booker bobbed his head and grinned. “Yes.”
Huh. Given the way he looked – half hot, half schlub – I guess I could expect nothing less. “It’s nice to meet you. I take it you’re the island taxi driver.”
“Among other things.” Booker ushered me to the passenger side of the small bus and opened the door. “Hop in. I’ll give you the ten-cent tour of our fine island on the way to the lighthouse.”
“I can’t wait.”
Booker was the chatty sort, which seemed to go with his outfit rather than his chiseled facial features. He didn’t bother looking both ways before pulling into non-existent traffic as he began his running commentary.
“You’ll find there’re very few vehicles on the island,” Booker explained, waving at an elderly woman on the sidewalk. “The island is only fifty square miles and the bulk of the population resides in the main city.”
“The island and the city are both named the same thing, right?”
Booker nodded. “Moonstone Bay.”
“It’s a unique name.”
“It’s a unique place.”
I’d landed only an hour before, so I could hardly argue with that. “So, I’m guessing the main industry is tourism.” I kept my eyes on the scenery flashing past the window. “Does that sustain the entire island?”
“Pretty much.” Booker’s smile was enigmatic. “There are farms on the far side of the island, so we have our own fresh produce and meat. Other than that, almost everything we do is in the name of tourism.”
“You don’t sound particularly happy about that.”
Booker pursed his lips. “I’m not unhappy with it. I’m merely … used to it. This is a new experience for you so it will probably take a bit of time to get used to island living. It’s not something most people embrace overnight.”
That was a strange statement. “Isn’t island living the same as living anyplace else … just on an island?”
Instead of agreeing, Booker barked out a laugh. “You’re cute.”
“Thanks … I think.”
“Island living isn’t like anything else you’ve ever experienced, I can promise you that.”
“You don’t even know me,” I pointed out. “I could be a wild person who jumps from island to island for all you know.”
Booker slid an appraising look in my direction. “I think you’re probably wild, but I doubt very much you’ve ever lived on an island.”
“Why is that?”
“Because you’re whiter than Maddie Park’s new bikini.”
“She owns a store on the main drag. That’s not important.”
“Then why did you say it?”
“Because I talk a lot and sometimes I simply say things to fill uncomfortable silences.”
“We’ve yet to have an uncomfortable silence.”
“Give it time. I always seem to find them.” Booker lifted his chin as we hit a busy part of town. “This is the main drag. It’s where you’ll find all the stores and restaurants. Even though we’re taking the scenic route, you’ll find that when we get to the lighthouse that you’re within walking distance of all of it.”
“I guess it’s good that I don’t have a car, huh?”
“You won’t need one. And they limit how many vehicles are allowed on the island,” Booker supplied. “I recommend getting a bicycle. It makes things easier. Maybe one with a little basket so you can transport groceries.”
That sounded nothing like me. “I’m pretty sure you’ll never see me on a bicycle with a basket.”
“Oh, come on,” Booker prodded. “I think you look exactly the type to have a basket, a pink bike helmet and one of those little horns to make sure people stay out of your way when you illegally ride on the sidewalks. By the way, that’s a big no-no. The Moonstone Bay Downtown Development Authority will fine you if you’re caught riding a bicycle on the sidewalks. That’s only allowed on the roads.”
“Good to know.”
“I can see you’re trying not to laugh, but I’m not exaggerating,” Booker said. “The fines are like five hundred bucks so … just keep it in mind.”
That sounded absolutely absurd given the state of the world today – you know, real crime and stuff – but he appeared serious enough that I filed away the tidbit for later. “I’ll remember what you said. I promise.”
“Good.” Booker was back to smiling. “So, this is the main drag, and pretty much everything you’ll need is here. That includes grocery and hardware stores. The bars are great and friendly to everyone. The same goes for the restaurants.”
“It looks so … colorful.” That was the only word I could think to describe it. From the kitschy T-shirt store with the pink awning to the tiki bar with colored surfboards dotting the walls, the entire main drag was a nuclear bomb of pastels. “Do you have regular seasons?”
“We’re an island in the Atlantic Ocean off the southern coast of Florida,” Booker noted. “We only have two seasons. Hot and hotter.”
“I guess that means your schedule is busy and busier.”
Booker nodded without hesitation. “That’s exactly right. Maybe you are geared toward island life after all.”
Somehow that sounded like an insult. “Give me the rundown,” I instructed, resting my hand on my stomach in an effort to settle it as I leaned forward. “Are there any crazy politicians? Eccentric residents? Overenthusiastic cops?”
Booker nodded. “Yes.”
“I didn’t realize I had to make a choice.”
“Good grief.” I heaved out a sigh. “I guess living on an island is like living in a fish bowl, huh? Everyone knows everyone’s business and all of those little things that drive you nuts about other people in big cities are magnified.”
“Or maybe people are the same everywhere – at least deep down – and you find those sorts of things wherever you go,” Booker suggested. “You, for example.”
My eyebrows flew up my forehead. “Me?”
“Word on the street is that you come to us from Detroit,” Booker explained. “I’m guessing you’ve seen your fair share of crime. That’s the stereotype, at least. Island folk deal with that all the time. People think we’re simple and quaint. People probably think you’ve witnessed a few murders and had your hubcaps stolen. How does that make you feel?”
“I’ve only seen one murder after a botched robbery outside of a casino and my hubcaps have been stolen three times.”
Booker merely shrugged. “Were they nice hubcaps?”
I ignored the question. “I think stereotypes are often wrong, but they exist for a reason.”
“Perhaps you’re right.” Booker flicked his turn signal and steered the bus toward the beach. “I knew your grandmother well. May was … interesting.”
I wasn’t sure what to make of the statement. “I never met her.”
Instead of being surprised, Booker merely pressed his lips together. “I know. She told me.”
“She told you?” I couldn’t contain my curiosity. “I’ve been trying to sort my way through this situation since I first got notification of her death three months ago. I had no idea she existed.”
“She knew about you.” Booker’s expression was hard to read as he remained focused on the road. “She told me about you before she died.”
“You were with her when she died?”
“Not at that exact moment,” Booker clarified. “May was a favorite daughter of the island. When she got sick – when we realized that she might not be able to fight off the cancer as easily as she did the old biddies at the senior center – we all made it a point to spend time with her.”
“Because you thought she needed help?”
“Because we didn’t want her to be alone,” Booker corrected. “No one should be alone at the end.”
“I guess.” I tugged a restless hand through my hair as I shifted on the seat. “I’m confused how she knew about me and yet I never knew about her.”
“Perhaps you should ask your mother.”
“Oh, that’s too bad.” Booker’s expression reflected remorse. “May mentioned that Emma died when she was close to crossing over, but I was hopeful that she was merely delirious. She didn’t talk about Emma much after she left the island.”
“I don’t know anything about her,” I said, licking my lips. It wasn’t in my nature to volunteer sensitive information to a guy I didn’t even know, but there was something about Booker’s quirky personality that appealed to me … and not in a Sex and the City way. More of a Friends way. I’m talking about Friends before they all started pairing off. Wait, what were we talking about again?
“You didn’t know your mother?” Booker furrowed his brow. “But … I don’t understand.”
That made two of us. “My mother died giving birth to me.”
“Oh.” Booker’s expressive face flooded with sympathy. “I didn’t know that. I always thought Emma ran off and lived happily ever after … or at least as much as was possible. It makes me sad to realize she’s been gone all these years and I didn’t even know it.”
I took a moment to give Booker another probing stare. He looked to be my age, maybe a few years older. He certainly wasn’t old enough to have hung around with my mother when she lived on Moonstone Bay. “Did you know my mother?”
“Of course not.” Booker answered almost immediately. He seemed sincere, yet there was something off about the response, something I couldn’t quite identify. “She and my mother were friends.”
“Really?” I forced myself to relax a bit. “Maybe I could talk to her once I’m settled. I don’t know anything about my mother except that she was married to my father and they were looking forward to having me. That’s what my father told me, anyway.”
“I wish that was possible, but my mother passed on some time ago.”
“Oh, I’m sorry.”
“I was sorry, too.” Booker forced a smile for my benefit. “As for your mother, I’m sure I can come up with names of a few people who knew her. They’ll want to meet you because … well … just because.”
“Because of my grandmother?”
“She was beloved around here.”
“And my mother?”
Booker shrugged as he pulled into a long driveway. I saw the lighthouse, white brick walls with red accents and a fancy blue roof reaching into the sky offsetting the lovely beach tableau stretching out behind it. “Your mother was before my time, but I believe she was beloved, too.”
“Then why did she leave?”
“Island life isn’t for everyone.” Booker flashed a toothy grin. “But it’s the only way for some people. I have a feeling you might be one of them.”
Even though I found him a bit odd, I couldn’t help but return the smile. “What makes you say that?”
“Because you’re here.” Booker stopped the bus in front of the lighthouse. “This was your grandmother’s home for her entire life. It was your mother’s home for the first nineteen years of her life. Now it’s your home.”
“You seem to know a lot about my mother despite the fact that she was older than you.”
“It’s a small island. Gossip spreads like mustard on a ham sandwich.”
I tilted my head to the side, dumbfounded. “I don’t believe I’ve ever heard that saying before.”
“Then you haven’t been hanging with the cool kids.” Booker put the bus into park and killed the engine, his eyes bright as they caressed the lighthouse’s bright façade. “I’m glad you’ll be staying here. It’s been sad to see the place so dark and quiet the past three months.”
“Yeah, well, I wasn’t sure I was going to come at all,” I admitted. “When I got the letter … well, let’s just say I wasn’t sure what to make of it. I had no idea I had a grandmother. For some reason I always thought my mother was alone in the world.”
“Why did you think that?”
“My father knew very little about her, and apparently she never volunteered information.”
“Maybe she thought she would have more time.”
“Maybe.” I pressed the heel of my hand to my forehead as I reached for the door handle. “Well, thanks for the ride. I appreciate the tour.”
Booker snorted. “You’re a poor actress, but I appreciate the effort.” Instead of waiting for me to collect my luggage and head toward the lighthouse, Booker pocketed his keys as he exited the vehicle. “Would you like some help?”
Of course I would. I didn’t want to get a reputation for being needy, though. “I’m sure I can manage.”
“That’s not what I asked.”
“I … can figure it out.” I struggled with the answer, but managed to muster a smile. “It’s just a lighthouse, right?”
Booker snorted, legitimately amused. “Yeah. How about I give you a tour and we’ll see if you still feel the same way? How’s that sound?”
It sounded like the best offer I’d had all day. “It sounds like you can carry the big suitcase.”
“It would be my pleasure.”
So, I’ve been bad about updating the blog. It’s summer in Michigan, so when I haven’t been working I’ve been swimming. Sorry.
Anyway, I’ve received a lot of messages about the end of the Aisling Grimlock series, which is set to occur in October 2018. That means you have three books left in the series. People are upset, and I get that, but this first series was always meant to be a set story. I can’t give you too many details, because it would ruin the arc, but it’s not really an ending. Yes, it’s an ending to the Aisling Grimlock books, but it’s not an ending to the characters.
Next year I’m launching two new series. The first happens early in January. I’m not ready to give you the details on that yet either, but suffice it to say it’s another series that will allow for a lot of crossovers. Unlike Charlie Rhodes, though, the series won’t open with a crossover. In the third book, though, there will be a few Grimlock characters crossing over. No, I can’t tell you who, how or why. Again, that would ruin things. The series is set up in such a way (and you’ll understand when you read the new book) that almost all my paranormal characters can make a visit.
The second series will launch the same month the final Aisling Grimlock book launches (about two weeks later). So, your withdrawal won’t last all that long. It’s set in the same world, although it has a different setting. It’s a new environment, one of the Grimlock brothers (nope, won’t tell you which one) will be a main player, and the rest of the Grimlocks will be around as supporting characters. The main character in that series will be a new female, though.
Now, the new location is different and I don’t want to describe it yet. It’s close enough to Grimlock Manor that the characters can stop by for dinner, other Grimlocks (and Jerry) can visit the new location, and it manages to be different without losing the characters you love. Aisling will not be the lead but she’ll be around for all kinds of hijinks and fun.
So, I will be giving you more information on the new series featuring the Grimlocks, but it won’t be until much closer to the launch (so we’re talking about a year). It’s already being outlined and worked on, though, so it’s set.
So, that’s it. Just thought I would give an update to cut down on the panicking messages. Yes, the first arc is ending but that doesn’t mean there aren’t other arcs.
Thanks for reading and go ahead and theorize in the comments section about what I’m going to do. Be forewarned, I’m not going to confirm or deny anything. Have at it, though.
The witch fantasies are one of those things that stir people up.
On one side, I would estimate a good 95 percent of fans love them. The remaining five percent apparently don’t and they write me (sometimes nonstop) messages explaining how much they hate them. The big thing seems to be that they’re not mysteries. That’s it. Plain and simple.
I get it. Some people only like mysteries. That’s fine. You don’t have to read the fantasies. I always try to at least mention what happened in the most recent fantasy in the following mystery so you can catch up that way. I will not, however, stop writing the fantasies and write two more mysteries a year. It’s simply not going to happen.
The fantasies are a way to do some truly goofy things and have a lot of fun. In general, they’re about character development and wacky hijinks. The stakes aren’t often as high in the fantasies – even though there’s some serious stuff – so (I hope) that readers can just sit back and relax. The whole point of the fantasies is to have fun.
I have a lot of ideas for the fantasies, which is why I upped them from one entry to two per year. No matter what, even if I didn’t write any fantasies, you wouldn’t get more full witch mysteries in a calendar year, though (which seems to be a sticking point for some readers). Why? I’m most comfortable, in most cases, doing two entries in a series per year. I consider the witch fantasies their own series. If I were to write only one series, I would grow bored and not want to write anything. As it stands, by the time I wind back around to something, I’m always excited to get back to the characters when it’s time for a series to wind around in the rotation.
As for upcoming fantasies, the timeline in the witch series forced me to do a Christmas fantasy this year, or risk losing the opportunity for a very long time. I actually wanted to write another fantasy first, but sometimes you have to go where the timeline takes you. That also forced some of the stuff to be cramped together in November and December this year. I don’t really like it but it should be remedied with better spaced releases next year.
There are several witch fantasies I’m really looking forward to, including the one I had to postpone this year for the Christmas fantasy. That one – which will be set in a soap opera world – is something I’m really looking forward to. I’ve always loved soap operas – no matter how ridiculous the storylines – and I can’t wait to write that one.
Other fantasies coming up over the next few years include a western, a zombie brouhaha, a trip to Salem during the witch trials, and a few others I’m still debating about.
So, yeah, I get that some people hate the witch fantasies simply because they’re not mysteries. You can’t always make everyone happy, though. I can make myself happy … and the witch fantasies do that for me.
They’re not going anywhere.
What do you think? Do you like the witch fantasies? What kind of fantasy would you like to see?
I get that people like kids and enjoy the idea of their favorite characters procreating. They, in theory, love the idea of seeing Bay and Landon raising a little witch – Landon most certainly turning into a pile of mush and sharing his bacon without prodding – or Griffin and Aisling raising the world’s snarkiest future reaper.
The problem is that, in practice, it often ruins the narrative.
My characters are immature by design and, while I like them to mature a bit each book, I don’t think most of them are ready to raise children. Even if they were, though, the odds of seeing my characters toting around an infant are pretty slim.
Why? Because I can’t get over the irresponsible nature of hauling an infant around to a crime scene (or facing off with vengeful ghosts, deranged killers, murderous neighbors, etc.). Sure, there could be babysitters and nannies or … in Avery Shaw’s case she would probably put a dog in charge as long as she didn’t have to do it … but, after a little bit, it straddles the line to bad parenting.
It’s not just the way the characters would have their lives changed, though. It’s the way the kids would alter the story. I mean, could Aunt Tillie curse everyone into a zombie book if no one was around to babysit the little ones? Could Aisling end up thrown through a window or attacked by a mirror monster if she had an infant in her arms?
I’m not opposed to the characters having kids … eventually. That really means that, for the most part, if they have kids it will be at the end. By adding kids you can spin off a series when it gets close to the end (if it’s needed or warranted). Instead of focusing on Bay and Landon eventually, perhaps you’ll meet their daughter. It’s not happening any time soon, but it’s not something that I would ever completely rule out.
As for Avery Shaw, she will never have kids. No matter how you beg and plead, it’s simply not going to happen. I don’t believe people need kids to be satisfied and Avery Shaw is not the mothering type. Period.
Now that I’ve said all of that, there is one notable exception.
On June 6th, the first book in The Dying Covenant Trilogy (the last leg of the Covenant College series) hits. As readers know, Zoe turned up pregnant at the end of The Living Covenant Trilogy. She announced it to her new husband on their wedding night.
The Dying Covenant Trilogy hops ahead thirteen years. Yup. You won’t get to see little Sami Winters as a toddler (although you will hear stories from her parents and get a prologue that revolves around her birth) or even as a precocious eight-year-old. She will be a pain in the butt 12-year-old with her father’s looks and her mother’s mouth. She will be a tyrant on two legs with abnormal role models who prefer messing with her to coddling her.
Why is Sami different? Because she’s part of Aric and Zoe’s story in an important way. She’s her own person by the time you meet her and can be left alone for little bits of time, which means Aric and Zoe don’t constantly have to be on top of her. Sami can actually carry parts of the story (although Zoe and Aric still do the heavy lifting) because she’s twelve and she’s coming into her own.
Also, it should be noted that Sami comes in at the end of Aric and Zoe’s story. While I have plans to have the characters cross over to the Mystic Caravan Circus and probably Charlie Rhodes’ world before it’s all said and done, The Dying Covenant Trilogy is the end of their individual story. That means they can support a kid because Sami won’t be weighing down future stories.
Now, I’m not saying the characters will never have children. I’m merely saying it won’t happen until a shift in the series is due or even until I’m wrapping up a series. Kids are inevitable for some of them, but they cause a narrative stumble a lot of times in an active series so they have to be worked in at the right time.
What do you think? Do you wish there were more kids hanging around?
There are different ways to introduce a series.
When it comes to Charlie Rhodes, I realized I wanted to do it in the witch world for a very important reason: Location.
The hardest part of introducing a new series is to get readers to care about the characters. By introducing Charlie via the witches, I was able to anchor her in a unique way. She got to know characters readers already knew but managed to almost bond, in a way, with readers because she loved the witches, too.
Most people seemed to like the introduction, but a few didn’t. They wanted it to be all about the new characters. I get that. I understand the complaint. I felt that Charlie, Jack and Millie were the most important characters to start with but the rest of the characters will be fleshed out more in subsequent books. The second book, for example, will not involve any crossovers and will focus solely on the new characters.
However, the Winchesters were a nice cushion for Charlie to land on for the first case out in her new world. There will be other crossovers in Charlie’s world (not in the second book, but down the line) but the witches were the natural fit for the world for the first book.
Now, by contrast, I have another new series in development. Before anyone asks, it won’t debut this year. It’s very early on and I’m mostly working on world building (by hand in a notebook). It’s also a series that will allow a lot of crossovers (no hints because I don’t want anyone to steal the idea before I’m ready to debut it). This series will not open with a crossover. Why? Location.
The location in the second new series will be stationary and involve characters going to that location for a very specific reason. I’m sorry for the vague blogging but I honestly don’t want anyone stealing the idea, which is something that sadly happens from time to time.
Charlie Rhodes does not have a stationary location. Sure, we’ll see her in the main office from time to time, but her world is a moving target. She’ll be traveling all over the country with her trusty band of misfits. When creating an ongoing location, it’s almost another character. Charlie won’t have the benefit of that stationary location.
Now, when you look at my other series, most of them have very important locations. Hemlock Cove, Shadow Lake, Whisper Cove, Blackstone Bay, Covenant College, etc., they all have a personality of their own. Avery Shaw and Aisling Grimlock live in a real place, which allows for a different sort of story building. Sometimes that’s easier but, frankly, sometimes it’s harder. Avery also lives in the “real” world so there’s no hope of crossover for her. She lives in a non-magical world. Aisling lives in the real world but she can cross to a magical one, so she’s different.
That brings us to Mystic Caravan Circus. Now, they do move around (much like Charlie Rhodes) and have a different location each book. However, they set up their own camp (which is really kind of like a small town) whenever they get to a location. So, even though the part of the country is different, the set up and people are the same. The circus itself is kind of a set location even though you get to enjoy the fun of checking out a new set of fairgrounds each go around.
Charlie doesn’t have a set camp. She will have the same people around her (and a new set of people to interact with because I need suspects, after all) but she doesn’t have a home location to anchor her. That’s why I believe launching her story in Hemlock Cove was important.
Now, as for the crossovers, they will happen. That doesn’t mean they’re always going to happen or that the crossover characters will be as widely featured as the witches were in Charlie’s story. I have ideas for crossing my Covenant characters over to the Mystic Caravan Circus for a book as well as Charlie’s world at a certain point. The grim reapers will definitely cross over to the unnamed series at some point. It’s not going to be something that happens in every book but it will be something that happens if they fit a certain story.
So, that’s it. I hope you liked Charlie and when it’s closer (and safer) to talk about the new series when it debuts next year I will definitely do it. For now, though, I won’t be answering stories about that one.
When I was a kid, I was torn between whether or not I was going to grow up and be the Incredible Hulk or Wonder Woman. I flirted with being a Jedi Knight for awhile, but I wasn't up for the intense travel associated with the gig. In my teens, I settled on being a writer -- although I had no idea the effort that would entail.